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culture · cover story · issue 001 · 2 min readMay 31, 2026
cover · long read

Kandama Social Enterprise: keeping Ifugao heritage alive and bringing it to the world stage

From law school to global runways, Victor Baguilat Jr uses fashion to preserve Ifugao culture and empower Filipino weavers.

author
Donna Patricia Manio
published
May 31, 2026
read time
2 min read
Kandama Social Enterprise: keeping Ifugao heritage alive  and bringing it to the world stage
portrait · on-flash · 50mmwm / 001 — frame 04 of 36
"From law school to global runways, Victor Baguilat Jr uses f…"photo · Donna Patricia Manio

Victor Baguilat Jr’s path isn’t a traditional one, but it's easy to assume that he was in the fashion world all his life, given the prominence of his brand, Kandama Social enterprise. The brand has a strong presence locally– celebrities and politicians love his creations, plus he’s set up shop in places like Rockwell and Greenbelt. Kandama has also established a presence in Dubai, tapping an affluent market while bringing Ifugao culture to the world stage. While these may seem like normal movements for a fashion designer and his brand, many would be surprised to know that Baguilat was originally a law student. “I was nearly done with law school, so the shift to fashion came as a surprise to everyone, especially my family.” 

Of course, Baguilat’s decision to pivot to the fashion industry wasn’t immediately met with warmth. This is a highly-relatable story for many Filipino creatives: the priority has always been stability and anything else may not be perceived as a worthwhile endeavor. This, however, did not deter the headstrong Baguilat, who viewed fashion as a vehicle to generate livelihood, empower indigenous women, and bring Filipino culture to a global audience. 

Since making that bold decision of leaving law school, Baguilat has since received the prestigious TOYM award for his fashion design and social entrepreneurship work. He has also shown his designs  in New York Fashion Week and Paris Fashion Week. Vogue Italy took notice of his creations as well, and published a fashion editorial dubbed “Indigenous Futurism,”  featuring Pia Wurtzbach-Jauncy. 

But beyond the glitz and glamor that comes with fashion, Baguilat stays true to the heart of his creativity: to preserve Ifugao culture and provide a sustainable livelihood for the many artisans who strive to keep the art of weaving alive. Through Kandama Social Enterprise, Baguilat serves as an agent of empowerment while elevating Filipino cultural design. He also innovates through designing garments that are modern, wearable, and distinctly Filipino. 

“We’ve just received a grant from the National Commission for Culture and the Arts (NCCA). We’re also raising funds for our weaving center, so our artisans and weavers will have better spaces to work,” Baguilat shares. While he’s undoubtedly so far from his law school days, the designer surely is closer to his ultimate dream of elevating Philippine indigenous fashion. 


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